In this beginner-friendly guide, Jack Reid will show you the hows of watercolor painting. He covers it all in clear, easy-to-understand terms - beginning with what tools and materials you should buy to get off to a good, affordable start. You'll find simple, step-by-step exercises to help you: control your brush with easemaster the four basic watercolor techniques - the flat wa...(展开全部)

The walk to the store isn't far. It's just through the backyard. But this backyard isn't just any backyard when viewed with the imagination. It can be a forest inhabited by a dragon and a sleeping giant. It can be rocks near a shore, with a boat just ready to take you out to sea, where there might be whales, mermaids, or even pirates Each color scene is viewed from above and f...(展开全部)

In Physical Realization, Sydney Shoemaker considers the question of how physicalism can be true: how can all facts about the world, including mental ones, be constituted by facts about the distribution in the world of physical properties? Physicalism requires that the mental properties of a person are 'realized in' the physical properties of that person, and that all instantia...(展开全部)

In Physical Realization, Sydney Shoemaker considers the question of how physicalism can be true: how can all facts about the world, including mental ones, be constituted by facts about the distribution in the world of physical properties? Physicalism requires that the mental properties of a person are 'realized in' the physical properties of that person, and that all instantia...(展开全部)

李欧·李奥尼（Leo Lionni） 绘本作家、画家、艺术家。1910年5月出生于荷兰阿姆斯特丹，父亲是一位会计师，母亲是一位歌剧演员，两位叔叔都是艺术品收藏家。 浸润在这样浓郁的艺术氛围之中，李奥尼很早就对绘画萌生了兴趣，立志成为一名艺术家，他常常去家附近的博物馆、美术馆欣赏大师的作品。 14岁，李奥尼随父母定居意大利热那亚，在那里度过了少年和青年时代。1935年，李奥尼获得热那亚大学经济学博士学位，几年之后，他举家 搬到了美国费城，正式投身广告设计行业并取得了辉煌的成就。 1960年，处于事业巔峰期的他回到了意大利。他原本打算全身心投入绘画和雕塑创作，结果却走上了绘本作家的道路。尽管李奥尼49岁才开始 创作绘本，却开创了一个绘本的新时代。《纽约时报》曾这样评价他“如果绘本是我们这个时代一种新的视觉艺术，李欧·李奥尼则是这种风格的大家。” 李奥尼一...(展开全部)

“Let's, make rabbits,” say the scissors to the pencil, and, before the reader’s eyes, two rabbits appear—one drawn by the pencil, the other cut from brightly patterned paper by the scissors. When the rabbits are hungry, the scissors and the pencil provide paper carrots. But one day the taste of a real carrot leads to a magical surprise. Readers will delight in this imaginative ...(展开全部)